4 Years of REA + Release party
REA007 Raul Alvarez – Rotary Neutron Stars

Mike Wall (De)
Raul Alvarez LIVE (Es)
NTZ (Es)
Christian Rutz (Dk)

Entre 50 dkr.

https://remote-enclosure-audio.bandcamp.com/music

KL 23.55

REA 45 – 4 YEAR Birthday Bash – Day 2

tba.

Entre 50 dkr.

https://remote-enclosure-audio.bandcamp.com/music

Selvhenter – 7/7 2017 – Copenhagen Jazz Festival

SELVHENTER
FREDAG 7.JULI 2017
KB18
DOORS OPEN 18.00
CONCERT 19.00
PRESALE :100 KR
https://billetto.dk/e/selvhenter-7-7-2017-billetter-191127
DOOR : 120 KR
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Selvhenter :
Trommer: Jaleh Negari og Anja Jacobsen
Trombone: Maria Bertel
Saxofon: Sonja LaBianca
Violin: Maria Diekmann

http://www.egetvaerelse.dk/?page_id=30 :
https://www.facebook.com/Selvhenter-177892536719/
https://www.youtube.com/watch?v=yLj4kLVPRX8&feature=youtu.be

“An absolutely rockin’ Danish outfit using material from extreme noise, free jazz and creative rock to build a sound and energy that is giving new perspectives on alternative music! Inyourface and without compromises!” – Mats Gustafsson

Selvhenter are part of the art collective eget værelse and have already been active for 8 years.

Selvhenter honed a truly unique sound – an uncompromising, boundless energetic one that blends the aesthetics of experimental rock, the sophistication of improvised free jazz and the aggressiveness of punk, noise and metal, all performed with passion and humor, sometimes even as music fit for dancing.

The all-women quintet Selvhenter is part of the bustling and sprawling Copenhagen underground. In a controlled eruption of two drumkits and distorted trombone, violin and alto saxophone they kick against rationalism of the welfare society – and show us that passion doesn’t have to be sung, but can flourish as collective instrumental cramps.

Kalaha // KB18 – 7/7 – 2017 Copenhagen Jazz Festival

KALAHA gæster D. 7.Juli kl 22.00 KB18.
Døre åbner 21.00
Musik starter 22.00
Forsalg : 80 Kr https://billetto.dk/e/kalaha-kb18-cjf-7-7-2017-billetter-190954

Dør : 100 Kr
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What kind of music would emerge if you combined a pair of renowned Danish electronic producers with two of the most exciting jazz musicians around?

This was the question in the minds of the Copenhagen Strøm Festival curators. The answer? It arrived in the form of Scandinavian electro pioneers Rumpistol and Spejderrobot—two prominent characters with a reputation well beyond their home countries—along with guitarist Niclas Knudsen and drummer/percussionist Emil de Waal. These four talented strangers, introduced with minimal rehearsal time, were brought together and launched onstage, and KALAHA was born. A daring experiment to say the least.

From the spontaneous and infectious magic of their first show came their critically acclaimed debut album “Hahaha”, the sound taking its inspiration in equal parts from West-African funk, electro rave and jazz improvisation, standing up as best possible blending of musical worlds—highly energetic and expressive, triggering the listener to dance with the head just as much as the heart.

Online Music Magazine Earmilk.com says it best with its statement: “KALAHA transport fans into another world”

Their four releases to date have proved to be captivating experiences, epitomized by their distinctive sound design as well as the outstanding instrumental contributions of the protagonists. It comes as no surprise that their albums not only gather constant acclaim in among vinyl connoisseurs, but have also brought KALAHA numerous Danish Music Awards nominations as well as a place on the playlists of European radio stations.

The renowned DJ and BBC6 host Gilles Peterson has said the following about the album ”Masala”: “Very tropical again! You can hear that African lo-fi influence on the whole album”

However many records they put out, though, they were born on stage, and it’s in a live setting that their music rises to another level. In over 80 shows KALAHA have created euphoria among audiences worldwide who hardly ever imagined they would dance so hard to jazz.

https://kalahamusic.dk/
https://www.facebook.com/kalahamusic/

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KL 23.55 – KLUB

BEAT ME #70

❏ THE 70TH BEAT ME CLUB NIGHT AT KB18 ❏

▬▬▬LINEUP▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

✘ RANCIDO (NL)
Innervisions, Atjazz Record Company, Connaisseur Recordings,
https://www.facebook.com/rancidomusic/
https://soundcloud.com/rancidomusic

✘ CHRISTIAN NIELSEN
https://www.facebook.com/Christian.Nielsen.Official
✘ THOMAS MADVIG
https://www.facebook.com/thomasmadvig
✘ HENRI MATISSE
https://www.facebook.com/djhenrimatisse
✘ BUCH & JARNER
https://www.facebook.com/Buch-Jarner-799686276740508/

Rancido also known as Randy Tjon-A-Fon, began his journey starting out as a dancer, which later developed to producing his own show dance mixes. After years of making music, Rancido decided, that he want to take it to the next level.
Production wise Rancido released tracks like “The Journey EP” (Innervisions) “Thief EP” (Atjazz Record Company) “Brighter Days EP” (Offering Recordings) “Fly Away”(Spinnin’ Records) to name a few. He got recognition and support from Dixon, Ame, Deetron, Ian Pooley, Jimpster, Osunlade, Atjazz, and many more..

VJ & Artwork: Alexander Cramer
Foto: TBA
Host: William Hass http://www.facebook.com/william.hass.official

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➟ KB18
➟ Kødboderne 18, 1714 Copenhagen, Denmark
➟ 07.07.2017 // kl 24-08
➟ Entrance: 80 DKK // Age: 18+

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BEAT ME is one of the most respected and loved club nights in Copenhagen. While being one of the best parties around, we also strive to bring the best electronic music from the underground scene. We encourage you to show up and experience this quality event, the amazing crowd and all the good vibes. See you at KB18.
Sincerest,
THE BEAT ME TEAM

➟ FB PAGE: www.beatme.dk

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♥

Mames Babegenush // CPHJ
LØRDAG 8/7 2017
KB18
DØRE 21.00
MUSIK START 21.30
FORSALG : 100 KR https://billetto.dk/e/mames-babegenush-cphj-8-7-2017-billetter-191051
PRESALE STOPS 21.00

DØR 120 KR
_____________________________________________________
MAMES BABEGENUSH

Andreas Møllerhøj: bass •
Lukas Rande: saxophone •
Bo Rande: flugelhorn •
Nicolai Kornerup: accordeon •
Christian Hørsted: drums •
Emil Goldschmidt: clarinet

http://www.mames.dk/press.html
https://www.facebook.com/mamesbabegenush/

“Mames Babegenush forges an organic sound with the momentum of life. The band pushes the perimeter of klezmer to incorporate many cultures, all fragrant with fecund growth and potential. This is joyous music even when it is not.”
– C. Michael Bailey, All About Jazz

“It is truly a feast for the hungry klezmer fan. Expanding the boundaries of traditional Jewish music.”
– Tom Nevell, Songlines

“Mames Babegenush is melding the vital, vibrant heart of the klezmer – it’s imaginative, moving and brassily abrupt.”
– John Pheby, fROOTS

“Mames Babegenush has hit upon a winning combination of artistry and originality while simultaneously being faithful to the tradition and pushing the genre forward.”
– Keith Wolzinger, KlezmerPodcast
————————–————————–——————–
Mames Babegenush is the past world meeting the present. It is Jewish dance music united with new waves of modern music: a fresh blend of music genres that appeals to both the heart and the feet.

Formed in 2004 the six-piece ensemble quickly dazzled audiences as well as critics with their fresh sound and musical gumption. The group spent years to perfect the style of traditional Jewish dance music, but always insisted on leaving their personal mark in contemporary klezmer. Live on stage, Mames Babegenush is a unique acquaintance, who unfolds a dynamic universe never seen before.

In 2008 David Krakauer, Alicia Svigals, Michael Alpert and Josh Dolgin (SoCalled) selected Mames Babegenush to the Carnegie Hall Young Artist Program. The following year the band released their acclaimed debut ‘Klezmer Killed The Radio Star’ which landed a nomination at the Danish Music Award.

In 2010 the ensemble experienced a career highlight when they participated in the 2nd International Jewish Music Competition in Amsterdam. As the only ensemble, it was the winner of three prizes – the Jury’s Special Prize for cultural bridge building in music, the Booker’s Prize and the biggest prize of them all; The Audience Prize for best live performance.

In 2014 Mames Babegenush released their latest album forging their strong Scandinavian roots into the vibrant dance music of Eastern Europe. From the great ambience of Nordic pine trees to a lively wedding in Romania this album gives the listener a sense of both melancholy and ecstatic joy.
The milestone record represents a new path in their sound integrating string quartet, harp and children’s choir into their musical universe.
The group is currently touring and working on new material.

Throughout their career, Mames Babegenush has played some of the most storied venues and festivals worldwide such as Carnegie Hall (US), The Royal Danish Theater, The Danish Radio House, The DROMA Festival (US), KlezFiesta (AR), Roskilde Festival (DK), Festspillene I Bergen (NO), POPKOMM (DE), KlezMore (AT), Yiddish Heritage Festival (RO), Klezmer Festival Fürth (DE) and Paradiso (NL).

Past performances have included renowned artists like Trentemøller (DK), David Krakauer (US), Gogol Bordello (US), SoCalled (CAN), Yuri Yunakov (BGR/US), The William Blakes (DK), Middle East Peace Orchestra (DK/GER/US/PSE/ISR), Hess Is More (DK), Gitta-Maria Sjöberg (SE), Eef van Breen Group (NL) and Kenneth Bager (DK).

Releases:
Mames Babegenush (Math Records) // 2014

Full Moons & Pay Days – remixes & originals (Laika Records / Gateway) // 2012

Mehanata vol. 3 (Compilation) // 2012

My Heart Aches When the Angels Dance (Gateway) // 2011

Mehanata: Home of Gypsy-Jews (Compilation) // 2009

Klezmer Killed the Radio Star (Cope Records) // 2009

OY! (EP) //2006

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KL 23.55 KLUB

Primal Behaviour Allnighter “Kødder Du?” Edition

Primal Behaviour Allnighter
“Kødder Du?” Edition
Saturday 8th of July

| Live |
+plattform (NO) (Gråtone, Ploink, Krill)
Christian Tilt (NO) (Ploink, Krill, Faarikaal)
https://soundcloud.com/plattform-music
https://soundcloud.com/christian-tilt

| DJ |
Anastasia Kristensen (DK) (BLD, Monasterio, Nous)
Christian Rütz (DK) (Remote Enclouse Audio)
Francis Francis aka Fisch (NO) (Dancing Is A Human Instinct)
https://soundcloud.com/anastasiakristensen
https://soundcloud.com/christian-rutz
https://soundcloud.com/francis_francis_aka_fisch

| Visuals | Decorations |
Joao (NO) | Vimpelbanden & Fjeldaben (NO)
https://www.youtube.com/watch?v=XKV0xUpT05M
https://www.youtube.com/watch?v=2wMVyfIfpDY

Welcome to the opening night of Primal Behaviour in Copenhagen.
Primal Behaviour is an Oslonian rebel that has been dancing all night at dusty clubs and off locations since 2008.
https://www.youtube.com/watch?v=pwK64xMqDt4

KB18 | CPH meatpacking district | Kødboderne 18 | KBH V. 23:55-08:00. CC: 100,- / -02:00: 70,-

Dancing is a human instinct.
https://www.youtube.com/watch?v=U4O9OgtKRN0

This party follows the principles of PLUR.

Paul Banks // Jakob Dinesen // Gustaf Ljunggren – CJF 9/7 2017

Paul Banks // Jakob Dinesen // Gustaf Ljunggren -
CJF
Søndag 9.Juli 2017
KB18
Døre åbner kl 14.00
Musik starter kl 15.00
Forsalg : 80 Kr – Forsalg stopper kl 13.45 – Derefter er det billetter i døren https://billetto.dk/e/paul-banks-jakob-dinesen-gustaf-ljunggren-cjf-9-7-2017-billetter-190953
Dør : 90 Kr
____________________________________________________

Paul Banks // Guitar/Vocal

Jakob Dinesen // Tenor Sax

Gustaf Ljunggren // Lapsteel – Banjo – Vocals – everything is possible

Mads Tolling & The Mads Men – “Playing the 60s” CPJazz Festival

Mads Tolling & The Mads Men – “Playing the 60s”
Copenhagen Jazz Festival
Søndag 9.JULI 2017
Døre åbner kl 18.00
Koncert kl 19.00
Forsalg : 80 Kr https://billetto.dk/e/mads-tolling-the-mads-men-playing-the-60s-cpjazz-festival-billetter-191865

Dørsalg : 100 Kr
__________________________________________________

Mads Tolling : Violin
Anders Fjeldsted : Bass
Thomas Bornø : Piano
Tba : Drums

https://www.youtube.com/watch?v=KUw0udy6aQQ
https://www.youtube.com/watch?v=tJIyKJPLpIM
https://www.facebook.com/MadsTollingViolinist/?pnref=lhc

Mads Tolling, internationally renowned violinist and composer, is a two-time Grammy Award-Winner and the 2016 DownBeat Critics Poll Rising Star winning violinist. As a former nine-year member of both Turtle Island Quartet and bassist Stanley Clarke’s band, Mads has spent most his professional life touring internationally. Since 2007 Mads has lead his own group, Mads Tolling Quartet. “The Playmaker” released in the fall of 2009, features Stanley Clarke and jazz greats Russell Ferrante & Stefon Harris. A MTQ album: “Celebrating Jean-Luc Ponty – Live at Yoshi’s” was released in May, 2012. Mads’ latest album is called “Mads Tolling & The Mads Men – Playing the 60s,” which features classic songs from TV, film and radio in fresh jazzy versions with his quartet and guest vocalists Kenny Washington, Kalil Wilson and Spencer Day. Mads has been featured on NPR’s Morning Edition, and his recordings have received rave reviews in Downbeat Magazine, Strings Magazine, Washington Post and the San Francisco Chronicle. He has performed with Chick Corea, Ramsey Lewis, Kenny Barron & Paquito D’Rivera.

For nine years in Turtle Island Quartet, Mads spent most of his professional life on the road or in the recording studio. In ‘06 and ‘08 as part of Turtle Island Quartet Mads won two Grammy Awards for Best Classical Crossover album with the recordings “4+Four” and “A Love Supreme – The Legacy of John Coltrane.” In 2015 with Turtle Island, he received a Grammy nomination collaborating with Mike Marshall. Mads is the winner of the 2016 DownBeat Critics Poll Rising Star Violin Award. Mads has received Denmark’s Sankt Annae’s Award for Musical Excellence as well as grants from Queen Margaret, Sonning Foundation and the Berklee Elvin Jones Award.

In 2007 Mads Tolling started his own trio and immediately recorded the album “Speed of Light.” The following year the trio expanded to a quartet. Today, 10 years later the quartet is still going strong, and in it are some of the top Bay Area musicians, including Colin Hogan on piano, Sam Bevan on bass and Eric Garland on drums. The Mads Tolling Quartet has performed all over the U.S including Yoshi’s San Francisco & Oakland, Herbst Theatre, Russian River Jazz Festival, Yerba Buena Gardens, Grass Valley Performance Arts, Blues Alley in Washington DC, Washington Pavilion in Sioux Falls, Monterey Jazz Festival and many venues large and small across the US.

Mads grew up in Copenhagen, Denmark and moved to the U.S. at the age of 20 to pursue jazz studies. He studied under violinist Matt Glaser, and he graduated summa cum laude from Berklee College of Music in Boston in 2003. While still attending Berklee, the renowned jazz violinist Jean-Luc Ponty recommended Mads to join Stanley Clarke’s band. Since then, Mads performed more than one hundred concerts with Clarke worldwide, including the Newport Jazz Festival and the Hollywood Bowl and appears on Clarke’s album: “Toys of Men.”

Besides his activities as a performer, Mads Tolling is an accomplished composer. In addition to his original writing on his albums, Mads arranged one of his compositions for saxophonist Joe Lovano and string orchestra. Of his three prior recordings of original material, one features the legendary pianist JoAnne Brackeen. Mads has recorded with vibraphonist Dave Samuels, appears on RMB singer Teena Marie’s recording “La Dona” and on jazz vocalist Ann Hampton Callaway’s “At Last.” He has additionally contributed numerous arrangements and compositions to Turtle Island Quartet’s repertoire. In 2014 Mads was commissioned by Music Director, Michael Morgan and the James Irvine Foundation to write a Violin Concerto (“Begejstring”) for Oakland Symphony Orchestra. The highly anticipated performance took place at the sold out 3000 seat Paramount Theatre in 2015. The piece and the performance turned out to be an overwhelming success, and Mads received high praise from the orchestra, critics and audience alike.

Mads Tolling is a thriving force in the educational aspects of jazz and improvisation. He is a Yamaha clinician and has been involved in workshops, coachings and master classes throughout Canada and the U.S. Since 2010 Mads has been on faculty at Berkeley’s Jazzschool Institute mainly focusing on spreading the knowledge of jazz and groove oriented styles to string players of all ages. He is on faculty at the Stanford Jazz Workshop, and he has taught at the Mark O’Connor Fiddle Camp. In 2017 Mads presented a workshop at Jazz Education Network in New Orleans.

Video:

Meet the Flintstones: https://www.youtube.com/watch?v=dPBbrXaJPMQ
Show Sampler: https://www.youtube.com/watch?v=VkaT-p6FHp8

Paul Banks // Thor Backhausen // Kristian Jørgensen /CPHJ 17

Paul Banks // Thor Backhausen // Kristian Jørgensen //
MANDAG – 10.JULI 2017
KB18
DØRE ÅBNER 15.00
MUSIK STARTER 16.00
FORSALG 80 KR : https://billetto.dk/e/paul-banks-thor-backhausen-kristian-jorgensen-cpj-10-billetter-190955

FORSALG SLUTTER KL 14.55 – DEREFTER ER DER BILLETTER I DØREN :
DØR 100 KR
_____________________________________________________

Der er ofte noget helt specielt ved musik der rammer præcis det krydsfelt, hvor det gennemprofessionelle og det helt uprætentiøse mødes.Trioen PAUL BANKS, KRISTIAN JØRGENSEN & THOR BACKHAUSEN er gudsbenådede spillemænd på henholdsvis guitar, violin og harmonika. Fælles for de tre musikere, som hver for sig er markante skikkelser på deres instrumenter, er deres dybe fortrolighed med “the blues” i al dens mangfoldighed. For en blues kan være mange ting: en stemning, …en form , en tonerække. Højtidelig respekt for genrer kan trioen ikke bruge til noget.. Spilleglæden er det vigtigste – i et udtryk som i den grad er deres eget. En koncert med trioen spænder fra rå uforfalsket blues til højtflyvende melodiøse passager. Fra sart knappenåls niveau til big band-agtig power. Fra country til jazz til samba til ragtime.Fra en fiks expressokaffe til en stor fadøl. Bundet sammen af virtuos musikalitet og oprigtig spilleglæde og på instrumenter der blander elegance og brutalitet, robusthed og skrøbelighed på smukkeste måde. En koncert med trioen er på én gang en hårdtswingende og en rørende varmegivende oplevelse.

Tribute to Miles Davis – The 70es Electric !! CPH Jazz Festival

Tribute to Miles Davis – The 70es Electric !! @KB18
MONDAY 10.JULY 2017
KB18
DOORS: 21.00
CONCERT STARTS : 22.00
PRESALE : 100 KR – https://billetto.dk/e/tribute-to-miles-davis-the-70es-electric-kb18-billetter-191122
PRESALE STOPS AT 20.50 – AFTER THAT ITS TICKETS AT THE DOOR .

DOOR : 120 KR
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During CPH Jazz Festival 2011,We celebrated the 40th anniversary of Miles Davis ” Live Evil” – 1971 .
The fantastic musicians decided to continue this magic trip,so the following years journeyed into :
2012 “On The Corner ” from 1972 .
2013 “Tribute to Jack Johnson “from 1973
2014 “Big Fun + Get Up With It” from 1974
2015 “AGHARTA + PANGAEA” from 1975/1976
2016 : ELECTRIC MILES DAVIS IN THE 70es

This year – 2017 – We will celebrate the ELECTRIC MILES DAVIS – you will hear tracks and ideas from ALL the above mentioned records and it will blow the roof off the building!!

◙ LINE UP :

◙ Jakob Dinesen : Sax
◙ Kasper Tranberg : Trumpet
◙ Jonas Struck : Guitar
◙ Rune Olesen : Percussion
◙ AC : Bass
◙ Ben Besiakov : Rhodes/Keyboards
◙ Nikolaj Torp : Organ/Keys
◙ StunnGunn : Drums

Come and be blown away in the spirit of greatness!! Its gonna be GRAND !!!

Musikorkestret feat :Banks//Lang//Andersen – CPH Jazz Festival

MUSIKORKESTRET feat : //BANKS//LANG//ANDERSEN
CPH Jazz Festival
TIRSDAG 11..JULI
DØRE KL 15.00
MUSIK STARTER 16.00

FORSALG slutter kl 14.55

FORSALG : 80 KR : https://billetto.dk/e/musikorkestret-feat-banks-lang-andersen-cphj-11-juli-2017-billetter-190956

DØRSALG 100 KR _____________________________________________________
I første halvdel af 1980erne var MUSIKORKESTRET landets travleste orkester med 250 årlige koncerter og festivaloptrædenerGruppens varemærke var virtuost spil, frygtløse og uforudsigelige kollektive improvisationer, melodiøse sange – og ikke mindst et medrivende grooveDe fire personligheder indtog de største og mindste scener med samme spilleglæde og selvfølgelighedGruppen udgav 3 plader, men MUSIKORKESTRET var et udpræget liveorkester, og deres unikke sammensætning af akustiske instrumenter og brede publikumsappel er stadig enestående på den danske musikscene

I de mellemliggende 25 år har mange forgæves forsøgt at overtale orkestret til at samles – hvis bare for en enkelt koncertMen i december 2010 spillede gruppen noget de selv døbte deres “25-års-pause-jubilæumskoncert” hos deres gamle venner på Platancaféen i VordingborgSpillestedet blev kimet ned af fans fra hele landet – og MUSIKORKESTRET morede sig herligtSå meget, at de besluttede sig for at gendanne gruppen til en turne i efteråret 2011.