LIVE :

RAM // Slægt // Encyrcle at KB18

 

Killtown Bookings & KB18 proudly presents:

“An evening of HEAVY METAL TYRANNY” w/
RAM (swe)
-Swedish uncrowned masters of true heavy metal!
SLÆGT (dk)
-local heroes with their catchy take on a modern fusion of heavy metal and black metal!
ENCYRCLE (dk)
-Odense´ finest speed/heavy metal outfit!

Friday 25th May 2018
KB18
Kødboderne 18, 1417 Kbh. K
Doors: 19.00
Music start: 20.00

Presale: 70 DKR
https://billetto.dk/en/e/ram-swe-slaegt-dk-encircle-dk-tickets-257968
At door: 80 DKR

Running order:
19.00: doors
20.00: Encyrcle (dk)
21.00: Slægt (dk)
22.00: RAM (swe)

More info:
RAM (swe) – Metal Blade Records
https://www.facebook.com/RAMheavymetal/
http://www.ram-metal.com/
Swedish spearhead RAM struck the Heavy Metal scene with their new master piece ROD, including winning soundchecks, getting full points on reviews and appear on the front cover in major magazines. The album also entered the official German album charts on position 64!
All in all, this band is the hottest thing in the current underground Heavy Metal scene!
————————————————–
SLÆGT (dk) – Ván Records
https://www.facebook.com/Slaegt
http://slaegt.bandcamp.com/releases
Slægt started as a solo-project of Oskar J. Frederiksen (lead vocals & guitars) in 2011. The beginning saw Slægt delve in raw and primitive black metal aggression. Over time the band has developed into having a full line-up now including Anders M. Jørgensen (guitars), Olle Bergholz (bass guitar) and Adam ”CCsquele” Nielsen (drums). Although the current version of Slægt seems to have progressed a lot since its early days, the essence still remains untouched. Stylistically influences are now drawn from a broader spectrum from such diverse movements as the NWOBHM and the black metal scene(s) of the 80’s and 90’s. Slægt delivers what can be best described as an epic blackened heavy metal with lots of catchy moments, played fast but without the usual blastbeats, exploring sound patterns that seem familiar, but always making them sound fresh. The darkness within the riffs and lyrics flows with dark blasts of energy.
The band has, in the current constellation, released the EP “Beautiful and Damned” (Iron Bonehead Productions), which came out in December 2015, and the full-length “Domus Mysterium” (Ván Records), which came out in May 2017. Both releases have received great reviews, at home and abroad, and with a victorious concert at the Copenhell festival, in Copenhagen, June 2017, the band has cemented its place as one of the most exciting and promising bands on the Danish metal scene.
Step into the church of the night with the beautiful and damned sons of Copenhagen.
————————————————–
ENCYRCLE (dk) – Unspeakable Axe Records / Dark Decent Records
https://www.facebook.com/encyrcle
https://unspeakableaxerecords.bandcamp.com/album/encyrcle
The sonic vessel ENCYRCLE appeared on the map in 2015 with a widely praised eponymous debut album, by many referred to as ‘nocturnal speed metal’. While speed is characteristic of a vessel, it is not essence. ENCYRCLE is the story of the journey into the Other, nightly Sister and Source, where all things are lost and gained in an otherworldly ecstasy. Their stage becomes a meeting ground for dissolution and dawn, violence and melancholy. Thus, in the shamanic vein of every potent rock ‘n’ roll artist of past, ENCYRCLE play the night’s heavy metal. Rock solid in aim, yet serpent-like in method, the troupe will return to land once more in the fall of 2016 with a three-track EP, foreshadowing their most daring adventure yet, their follow-up album, come 2017

_____________________________________________________________________________________________________________

________________________________________________________________________________________________________________

KL 23.55

REA#54

Abstrs (Se)
Mxximus (Se)
Zenez (Es)
Christian Rutz (Dk)

Entre:60dkr
https://remote-enclosure-audio.bandcamp.com/music

 

 

Live

Broadway Killers – release party @KB18

 

Broaway Killers – release party
Lørdag 26.Maj 2018
KB18
Døre : 20.00
Gratis entre
______________________________________________________

https://www.facebook.com/broadwaykillers/

No record release, without a release party! We hope to see you all at our first show in years. We cannot wait to get on stage and play the new songs for you.!!

________________________________________________________________________________________________

KL 23.55

Parallel w/ ED ED & Doyle Shepherd

 

Pack your bags for another trip!
Just think, in a parallel universe there is another you who made a choice, that you were only wishing to make.
The only choice for this night – Dance♥

Your guides for the night:

Ed Ed – Katerblau, Sisyphos, Watergate
Moodmusic, NOIR, Defected, DFTD and Bedrock
https://soundcloud.com/ededberlin

Doyle Shepherd – Golden Times Berlin
https://soundcloud.com/doyle-shepherd

NILU DK – Parallel, Spotflux, Dark Pleasure Records
https://soundcloud.com/djnilu

Azpecialguest – CPH DEEP
https://soundcloud.com/azpecialguest

————————–————————–———–

Host: NILU

————————–————————–———–

Venue:
KB18 – Copenhagen meatpacking district
Kødboderne 18 – 1714 KBH V.

Cover:
80 DKK

Fra kl 22.00 – 10.00 !!

Polavoid w. Tigerskin, Benno Blome, Dataline, Jacob Phono EMINA

 

Line-up
Tigerskin (LIVE)
Benno Blome
Projekt Dataline (LIVE)
Jacob Phono
EMINA

■ REGN REC. & Friends ■

 

Rain Record. presents a night with a selection of artists from the label and some friends. We look forward to a night with quality Dj sets with enchanting tracks released and unreleased from the artists.

Following Artist are..

■ Andres Balicki. (DE) ■
[ Definition:Music. Regn Rec. / Akumandra. / DearDeer. ]
https://soundcloud.com/andreasbalicki

■ Justin side. (MX) ■
[ strung fellows. / Skyde Klubben. / Regn Rec./Bloop rec. /Tic Tac Toe]
https://soundcloud.com/justin-side

■ Alvaro Suarez . (ES ) ■
[ Regn Rec. / Lump Records./Pipe & Pochet./ Stingray Vision Records]
https://soundcloud.com/alvarosuarezmusic

■ Bendix. (DK) ■
[ Regn Rec./ EKG/ Iboga Rec./ HV Rec.]
https://soundcloud.com/bendixcph

■ Katz k. (SE) ■
[ pommes 64 ]
https://soundcloud.com/katzk

KB18
Kødboderne 18, 1714 Copenhagen, Denmark
Juni. 1. 2018. Time. 23.55-08.00
■
Entrance: 100 // Age: 18+
Obs. mandatory wardrobe

Live :

Kings Cult // Gaia // Deterre @KB18

 

Kings Cult // Gaia // Deterre @KB18
Døre 20.00
Gratis entre
_________________________________________________

Gaia og Deterre starter en 3 dags tour fra København med endestation i Ålborg. I København joiner seje Kings Cult.

Første koncert er kl21.

Se meget mere her:
Kings Cult: https://www.facebook.com/kingscult/
Gaia: https://gaiadoom.bandcamp.com/music
Deterre: https://deterre.bandcamp.com/

Ses til tråd

LIVE :

Wiegedood (BE) + JustinHate /

 

Wiegedood (BE) + support: JustinHate
SATURDAY 9th JUNE 2018
DOORS 20.00
PRESALE : 60 KR : https://billetto.dk/en/e/wiegedood-be-support-at-kb18-tickets-258281
DOOR 80 KR
_________________________________________
www.facebook.com/wiegedood
https://wiegedood.bandcamp.com/album/de-doden-hebben-het-goed-ii
New WIEGEDOOD album ‘De Doden Hebben Het Goed III’ out on April 20th 2018 (Century media records)

WIEGEDOOD Belgium
“I, II and III all focus on the subject of loss,” say WIEGEDOOD in a collective statement. “It’s inherently in our nature to desperately hold on to the people and the things we love. All three records are dedicated to Florent Pevée [from Kabul Golf Club], a close friend of Wim [Coppers] and a great musician who lost his life at 21. This is our way of honoring his life.”

As the final part of the De Doden Hebben Het Goed trilogy—which translates to English as The Dead Have It Good—WIEGEDOOD’s newest album, De Doden Hebben Het Goed III, is a natural extension of its predecessors. What the three albums share sonically—a violent yet epic brand of black metal—they also share thematically and physically. III blends the atmospherics of I and the aggression of II. The band says they’ve “found the perfect crossover.” WIEGEDOOD have also found a four-song formula that affords the trio latitude to explore without the wearisome effects of interminable concept album lengths. And finally, the albums also benefit from similar covers—photographed by Stefaan Temmerman—where nature and the WIEGEDOOD sigil play important parts of the whole.

“Our logo represents our band perfectly,” WIEGEDOOD asserts. “So, we felt that just our logo and the soil which it is planted in, would be great for theses albums. The picture for III was taken in Sint-Eloois-Winkel, a small town near Kortrijk where Levy [Seynaeve] grew up. Subsequently, the cover for II was taken in De Haan, where Gilles [Demolder] spent his childhood and the first cover picture was taken in Ransberg, where Wim grew up and is still living today.”

As a band that has common membership with Belgian post-black metallers Oathbreaker and post-metallers Amenra, finding time for WIEGEDOOD—pronounced We-guh-doad—isn’t a challenge, but rather a directive. Time must be made and spent on behalf of WIEGEDOOD not in spite of it. Musically, the group don’t see similarities in or with Oathbreaker or Amenra, however. With this distinction the Belgians are empowered to express themselves singularly. As a result, the writing sessions for III (and its predecessors) don’t ‘bleed over’ or ‘bleed through’ with the band members’ other projects.

“Because of our busy schedules playing and touring in other bands, all our songwriting sessions are extremely productive,” says the band. “We know how little time we have and we set even tighter recording deadlines to push ourselves even more. All songs are therefore written for III. There is a clear evolution between all albums.”

Recorded by Christophe Dexters at House Rott Child Studios in Belgium over the course of 10 days, III is clear and powerful yet nuanced and nimble. Unlike WIEGEDOOD’s peers, III pivots on a different thought axle, where loss and reflection, anger and desperation are imbued into everything. To capture the essence of III—tracks like ‘Prowl’ and ‘Doodskalm’ highlight WIEGEDOOD’s tumult—the Belgians re-hired Californian Jack Shirley (Deafheaven, Oathbreaker) to mix and master at his Atomic Garden Studios. The result is overwhelming yet distant, dangerous yet tactful.

“House Rott Child Studios is the perfect place for us to record,” WIEGEDOOD say. “Because there isn’t that awkward engineer/producer/musician relationship. Christophe knows exactly what kind of sound we are going for and we know how he operates. This is why we love going to House Rott Child Studios so much. We feel right at home because of our previous experience recording there. We had the time to experiment and try out new ideas. In the studio we basically use the same set-up as we do live.”

Previously, the trio were with Belgian indie ConSouling Sounds for albums I and II. Now, WIEGEDOOD have signed over to Century Media Records to release III. With III ready to dominate, a new label supporting, and a broader audience waiting, WIEGEDOOD are poised to take their black metal marque beyond the confines of Europe.

“We’re excited to see where 2018 and the co-operation with Century Medial will take us,” say WIEGEDOOD. “There are a lot of plans for 2018, a bunch of concerts are lining up and we’re going to play on new continents.”
_______________________________________________

JustinHate (dk)

https://www.facebook.com/justinhateband/

Musik:https://justinhate.bandcamp.com/album/marrow (MARROW 2017).
Musik: https://justinhate.bandcamp.com/album/though-hope-is-frail-2014 (Though Hope Is Frail 2014).
Officiel Video: https://youtu.be/NU3qqqE4I3A
Kåret til årets danske album 2017:

“JustinHate kan noget særligt med stemning og smadder. På deres første udspil var de især gode til det første, på det andet det andet. Med denne treer har de på smuk vis æltet det hele sammen, så det både bliver storladent og hidsigt”

- Devilution (Emil Svendsen).

“De danske hardcore – konger er tilbage”

- Heavymetal.dk

“En gedigent udgivelse fra et lidt overset band som jeg håber at se spille lidt mere rundt omkring det ganske land”

- Metalized

“The whole ride is blacker than brain cancer and as brutal as the clubbing of harp seals on a barren ice floe, pitching between near-berserk levels of destructive violence and slower, more methodical applications of cold cruelty. The riffing is also cruelly addictive. In a nutshell, this is a 2017 highlight for sure.

- No Clean Singing.

“I’d loosely describe them as some kind of blackened hardcore, but that simplified reduction doesn’t quite get at the nuance, power, tightness or, yes, hatred, the band’s music has.”

- MetalSucks

JUSTINHATE har spillet anmelderroste shows i ind – og udland og har bland andet delt scene med Murphy’s Law, Sepultura, Torche, Max and Iggor Cavalera, Darkest Hour, Hexis, Helhorse, Piss Vortex, This Gift Is A Curse, Baest og mange andre.

“(…)Justin Hate is staging a serious claim to be considered among the best live bands in the country right now.

- Rockfreaks

(…) Ufattelig meget nerve i deres optræden, og ved udelukket at bruge baglys, fik de skabt en intens og mystificeret stemning. Flere gange i løbet af koncerten fik forsanger Kim Rock hoppet ned blandt publikum for at komme endnu tættere på os. Fedt show!”

- Blastbeast

_____________________________________________________________________________________________________________

_______________________________________________________________________________________________________________

KL 23.55 – KLUB

NATMASKINEN

Stan Starry ▲ Daniel San ▼ Bongo & Pusk ▲ Natmaskinen

 

❂ STAN STARRY ❂
[Betriebsfeier, HairSweetHairMusic]
https://soundcloud.com/stanstarry

❂ DANIEL SAN ❂
[Bølgen, Volk]
https://m.soundcloud.com/daniel-chabert-lund

❂ BONGO & PUSK ❂
[ Compute Music, Get Physical ]
https://soundcloud.com/bongopusk

DOORS 23.59 – 08.00

60 KR – Before 2 o’clock
100 KR – After 2 o’clock
_______________________________________________

◕ NATMASKINEN ◕
KB18 kødboderne
1714 Copenhagen

LIVE :

Wiegedood (BE) + support / at KB18

 

Wiegedood (BE) + support / at KB18
SATURDAY 9th JUNE 2018
DOORS 20.00
PRESALE : 60 KR : https://billetto.dk/en/e/wiegedood-be-support-at-kb18-tickets-258281
DOOR 80 KR
_________________________________________
www.facebook.com/wiegedood
https://wiegedood.bandcamp.com/album/de-doden-hebben-het-goed-ii
New WIEGEDOOD album ‘De Doden Hebben Het Goed III’ out on April 20th 2018 (Century media records)

WIEGEDOOD Belgium
“I, II and III all focus on the subject of loss,” say WIEGEDOOD in a collective statement. “It’s inherently in our nature to desperately hold on to the people and the things we love. All three records are dedicated to Florent Pevée [from Kabul Golf Club], a close friend of Wim [Coppers] and a great musician who lost his life at 21. This is our way of honoring his life.”

As the final part of the De Doden Hebben Het Goed trilogy—which translates to English as The Dead Have It Good—WIEGEDOOD’s newest album, De Doden Hebben Het Goed III, is a natural extension of its predecessors. What the three albums share sonically—a violent yet epic brand of black metal—they also share thematically and physically. III blends the atmospherics of I and the aggression of II. The band says they’ve “found the perfect crossover.” WIEGEDOOD have also found a four-song formula that affords the trio latitude to explore without the wearisome effects of interminable concept album lengths. And finally, the albums also benefit from similar covers—photographed by Stefaan Temmerman—where nature and the WIEGEDOOD sigil play important parts of the whole.

“Our logo represents our band perfectly,” WIEGEDOOD asserts. “So, we felt that just our logo and the soil which it is planted in, would be great for theses albums. The picture for III was taken in Sint-Eloois-Winkel, a small town near Kortrijk where Levy [Seynaeve] grew up. Subsequently, the cover for II was taken in De Haan, where Gilles [Demolder] spent his childhood and the first cover picture was taken in Ransberg, where Wim grew up and is still living today.”

As a band that has common membership with Belgian post-black metallers Oathbreaker and post-metallers Amenra, finding time for WIEGEDOOD—pronounced We-guh-doad—isn’t a challenge, but rather a directive. Time must be made and spent on behalf of WIEGEDOOD not in spite of it. Musically, the group don’t see similarities in or with Oathbreaker or Amenra, however. With this distinction the Belgians are empowered to express themselves singularly. As a result, the writing sessions for III (and its predecessors) don’t ‘bleed over’ or ‘bleed through’ with the band members’ other projects.

“Because of our busy schedules playing and touring in other bands, all our songwriting sessions are extremely productive,” says the band. “We know how little time we have and we set even tighter recording deadlines to push ourselves even more. All songs are therefore written for III. There is a clear evolution between all albums.”

Recorded by Christophe Dexters at House Rott Child Studios in Belgium over the course of 10 days, III is clear and powerful yet nuanced and nimble. Unlike WIEGEDOOD’s peers, III pivots on a different thought axle, where loss and reflection, anger and desperation are imbued into everything. To capture the essence of III—tracks like ‘Prowl’ and ‘Doodskalm’ highlight WIEGEDOOD’s tumult—the Belgians re-hired Californian Jack Shirley (Deafheaven, Oathbreaker) to mix and master at his Atomic Garden Studios. The result is overwhelming yet distant, dangerous yet tactful.

“House Rott Child Studios is the perfect place for us to record,” WIEGEDOOD say. “Because there isn’t that awkward engineer/producer/musician relationship. Christophe knows exactly what kind of sound we are going for and we know how he operates. This is why we love going to House Rott Child Studios so much. We feel right at home because of our previous experience recording there. We had the time to experiment and try out new ideas. In the studio we basically use the same set-up as we do live.”

Previously, the trio were with Belgian indie ConSouling Sounds for albums I and II. Now, WIEGEDOOD have signed over to Century Media Records to release III. With III ready to dominate, a new label supporting, and a broader audience waiting, WIEGEDOOD are poised to take their black metal marque beyond the confines of Europe.

“We’re excited to see where 2018 and the co-operation with Century Medial will take us,” say WIEGEDOOD. “There are a lot of plans for 2018, a bunch of concerts are lining up and we’re going to play on new continents.”

____________________________________________________________________________________________________________

KL 23.55 CLUB

NATMASKINEN

Bloated Veins – label/distro og KB18 kødboderne præsenterer:
Knocked Loose (Oldham Country, USA)
Hardcore/Metalcore/Beatdown etc. på Pure Noise Records. Første show i DK!

WOES (KBH)
Blacket Hardcore med elektroniske elementer.

DTHRNR (KBH)
Beatdown.

Eyes (KBH)
Metallisk Hardcore/Punk.

Dør: 19:00
Første band: 19:30
Forsalg: 80 kr + gebyr : https://billetto.dk/en/e/knocked-loose-us-woes-dthrnr-eyes-tickets-263693
Dørsalg: 100 kr

KL 23.55 – KLUB

Parallel w/ Saytek (Live)

 

Just think, in a parallel universe there is another you who made a choice, that you were only wishing to make.
The only choice for this night – Dance♥

Your guides for the night:

Saytek Live
Nominated Best Live act DJ MAG ::: Mixmag Album of the Month (Cubism | KMS | Superfreq | Soma | Emerald City | My Favorite Robot | fabric | Liebe*Detail | Bedrock | Motech | Monique Musique | Wiggle | Lucid Flow | Detone | Bullet:Dodge | Lapsus )

https://www.facebook.com/Saytek.live/

More TBA

—————————————

Host: NILU

—————————————
Venue:
KB18 – Copenhagen meatpacking district
Kødboderne 18 – 1714 KBH V.

LIVE

The Dwarves (US) + Nick Oliveri Band Death Electric (US) /Riverhead (DK)

 

The Dwarves (US) + Nick Oliveri Band Death Electric (US)
Support : Riverhead (DK)
MONDAY 16th JULY 2018
KB18
PRESALE : 100 KR : https://billetto.dk/en/e/the-dwarves-us-nick-oliveri-band-death-electric-us-riverhead-dk-tickets-271172
DOOR : 120 KR
___________________________________________________
___________________________________________________

THE DWARVES
http://www.thedwarves.com
https://www.facebook.com/TheDwarves
https://thedwarves.bandcamp.com

Video: https://youtu.be/siAeNGGmynQ

Teen pop whiz kid ANDY NOW mans the boards for the TAKE BACK THE NIGHT LP (GREEDY/BURGER) as the DWARVES embrace their ‘turd in the punchbowl of punk’ legacy. Old school vets like VADGE MOORE and SALTPETER, studio pros like NICK OLIVERI and A TRIBE CALLED JOSH FREESE and flat out demented scallywags like the FRESH PRINCE OF DARKNESS join HEWHOCANNOTBENAMED for a spectacular and genuinely creepy record.

BLAG the RIPPER and REX EVERYTHING split vocal duties like fire and ice or Abbott and Costello. The JULIO 7” (GREEDY/RIOTSTYLE) reminds America that the DWARVES will rip off the RAMONES as shamelessly as they bite JUSTIN BEIBER’S dance moves and the INDIGO GIRLS’ fashion sense.

Drummer HUNTER DOWN, on hiatus from rock pinup ensemble DECENT CRIMINAL, comes aboard to reduce the Dwarves average age to below 70 for the first time in decades. Returning to Europe, the UK and Australia the DWARVES team with BONO for the short lived YELLOW charity campaign.

More festivals, club dates, comic conventions and Girl Scout jamborees bring the Dwarves to a new generation of twisted youth who know real rock when it smacks them in the face and yells FUCK real loud!

Short of G.G. Allin, it would be hard to name a punk rock band that went further to establish a bad reputation than the Dwarves. Playing deliberately crude, high-speed punk rock dripping with bad attitude, the Dwarves — led by vocalist Blag Dahlia and guitarist He Who Cannot Be Named — matched their music with lyrics that celebrated all sorts of bad behavior, and their album covers almost invariably featured full frontal nudity. Add in the band’s live shows, which often lasted less than 20 minutes and occasionally included a physical assault on the audience, and you have a recipe for infamy, which the Dwarves rode to a lasting cult following.
The Dwarves began in Chicago as a teen garage rock outfit called the Suburban Nightmare, and the garage/psych sound was partially carried over into the first Dwarves release, 1986′s Horror Stories. After the first album, the Dwarves relocated to San Francisco and evolved into a faster and sleazier punk rock outfit, as documented on the 1988 EP Lucifer’s Crank. In 1990, the Dwarves signed with Sub Pop Records and released their most notorious album, Blood Guts & Pussy, a ten-song, 13-minute assault packaged in a sleeve that featured two naked women covered in blood and a nude dwarf covering his midsection with a rabbit. Blood, Guts & Pussy became the talk of the underground music press, and the Dwarves blazed across the country on tour, leaving a trail of blood from their own self-inflicted gashes, a bagful of drug stories (according to popular myth, bassist XXXXX disappeared in Detroit on a crack binge during a 1992 tour, never to be heard from again), a litany of bizarre stage-show sex acts, and the wreckage of numerous 15-minute-long live shows.

The Dwarves unsurprisingly self-destructed shortly after a failed hoax; shortly before the release of the 1993 album Sugarfix, the band issued a press release stating that guitarist He Who Cannot Be Named had died. Sugarfix also carried a tribute to the guitarist, who in truth was very much alive. Sub Pop was not amused when they learned the facts and dropped the band, which soon went on hiatus. But the Dwarves re-formed for 1997′s The Dwarves Are Young and Good Looking, and Epitaph Records signed the band in time for 2000′s The Dwarves Come Clean. Four years later the band returned with The Dwarves Must Die, including guests Dexter Holland from the Offspring, Nick Oliveri from Queens of the Stone Age, Nash Kato from Urge Overkill, and voice actor Gary Owens. In 2009 the band began to work on a new album, this time recruiting past members of the band like Salt Peter and Vadge Moore to play on the album instead of an all-star celebrity cast, and released The Dwarves Are Born Again in 2010. The year 2011 brought the EP Fake ID, and in 2014 the troublemakers returned with the album The Dwarves Invented Rock & Roll.

Nick Oliveri Band – Death Electric
Facebook: https://www.facebook.com/rexeverything666?lst=572177690%3A1234728519%3A1512564076
Spiller nr. fra hans tid i Mondo Generator, QOTSA + hans solo projekter..

Nick Steven Oliveri (born October 21, 1971) is an American musician from Palm Desert, California. He plays bass guitar, acoustic guitar, electric guitar, and is a vocalist. He is most widely known as a bassist with Kyuss, Queens of the Stone Age, and Dwarves, and has also performed with the reunited Kyuss under the names Kyuss Lives! and Vista Chino. As a bandleader, his main project is Mondo Generator, a punk/metal hybrid that he formed in 1997.

Born in Los Angeles, Oliveri began his career in 1987 with John Garcia, Brant Bjork, Josh Homme and Chris Cockrell under the band name Katzenjammer. In early 1989, after Oliveri’s departure to play in other bands, the band would change its name to Sons of Kyuss, later shortening the name to Kyuss. He later rejoined the band, playing on the albums Wretch and Blues for the Red Sun. Oliveri would leave Kyuss again in early 1992, shortly after his father died in a car accident. Following his departure from Kyuss he joined The Dwarves as an on again off again bassist under the moniker Rex Everything. However he is perhaps best known as a member of Queens of the Stone Age from 1998 to 2004. Oliveri is also a solo artist and frequent contributor to his friends’ albums and tours, including Winnebago Deal, Mark Lanegan Band, Masters of Reality, Turbonegro, Moistboyz aka Dickie Moist and the O.T.C., and The Knives. In the past he has been involved with The Desert Sessions Vol. 4 and Vol. 6. Oliveri is known for playing bare chested and sometimes naked at gigs. Most memorably, he was arrested in Brazil, after performing nude on stage at the Rock in Rio festival in Rio de Janeiro.[3] He is also one half of the acoustic duo The Uncontrollable, with The Dwarves frontman Blag Dahlia
___________________________________________________

RIVERHEAD (DK/SE)
https://www.facebook.com/Riverhead-Copenhagen-180618198980861/

Mads, Martin, Jonas, Mixen
Post Hardcore Rock from Copenhagen/Malmö.